Quiet Voice (Lars Graugaard)
The first and last of the work's three parts share the same
emotion label and musical material. However, while the writing
of the first part is sustained and quite sensual, the last is
subdued, interrupted and hesitant. Ample microtonal fluctuation
accompanies the soloist in both parts, who in turn make use of
very slow half and quartertone glissandi. The middle section is
very dramatic with large skips, loud dynamics and searing
effects of timbre trills and tremolos. The computer part
follows the soloist closely, making use of spectral
'snapshots,' transformed and effect processed by player
interaction. Running histograms keep track of performance
details, as well as note duration and tonality distribution.
(L.G.)
Sound Etchings (Dinu Ghezzo)
Commissioned by and written for Esther Lamneck. It is a
thoroughly written composition, with some small fragments of
conditioned improvisations. It consists of six movements in
which the clarinetest plays against and around an open
unattended piano (with a permanent loud-pedal secured).
Ceaseless Cease (Kyong Mee Choi)
Ceaseless Cease depicts the endless turmoil of the human
condition that stems from human desire. If we try to stop
desire, however, we create another form of desire. The title
refers to the dichotomy in the attempt to end what cannot be
ended. (K.M.C.)
Electric Counterpoint (Steve Reich)
I. Fast
II. Slow
III. Fast
Steve Reich's Electric Counterpoint (1987) belongs to a group of the composer's
works (including Vermont Counterpoint [1982] and New York Counterpoint [1985])
which call for a soloist to play along with a recording of him- or herself.
Written for noted jazz guitarist Pat Metheny, Electric Counterpoint requires
the player to pre-record up to ten electric guitar tracks and two electric bass
tracks; the player performs the eleventh part live against the tape. This
configuration creates an interesting aural effect; the ethereal homogeneity of
ten timbrally identical electric guitars simultaneously playing different
figures is immediately quite striking.
Hommage à Manuel de Falla (Béla Kovács)
Buchla Playsession
Just having some fun with a Buchla 200e.
Keyboard Gamelan
Playing around with a Csound Gamelan.